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Electronic Press Kit

Earl J. Foster Jr.

🎵 Earl J. Foster Jr.: A Musical Journey 🌟
Born in Houston, Texas and now based in Florida, Earl Foster has devoted his life to music. After early training at Eubanks Conservatory of Music and Art, his path led to Japan as President & CEO of The Shampén Group Inc. 🇯🇵.
A versatile musician, producer, and computer music programming expert, Earl’s influence extends from Business owner🐟 to executive roles in New York 🗽.

His commitment to creativity and innovation continues to shape his remarkable career.

leaving a legacy that inspires audiences worldwide. 🌎🎶

Joe Leavy

Joseph W. Leavy 🎶
From San Diego, California, Joseph W. Leavy is a powerhouse of soulful expression and creative leadership.

As one of the featured vocalists on Tribe IV Resurrection and Vice President of Rising Sun Records, overseeing Artist and Repertoire (A&R),

Joseph brings both heart and vision to every project.

🔥 His acclaimed 2023 album Soul On Fire—hailed as one of the best soul albums of the year—features charting singles like Inside You, Love Me 2 My Soul, Let It Go, and Do It Again. Each song reflects a journey of faith, resilience, and passion born from real-life experiences.

🌟 Deeply influenced by gospel roots and inspired by legends such as Al Green, Marvin Gaye, and Stevie Wonder, Joseph transforms life’s challenges into timeless music that uplifts the soul and honors God’s presence in every note.
💫 Whether in the studio, on stage, or behind the scenes guiding artist development, Joseph W. Leavy continues to set the world of soul music ablaze—one heartfelt performance at a time.

Vincent LaBauve

Vincent LaBauve 🎸 is a true connoisseur of sound and style—an artist whose world-class guitar work, songwriting finesse, and smooth production set the mood just right.

Raised in a family where music flowed as naturally as conversation, Vincent’s artistry took shape from an early age, captivating audiences with performances that feel intimate, magnetic, and unforgettable.

His irresistible talent soon caught the eye of legendary Barry White, earning Vincent a coveted spot in the icon’s touring band, where each note dripped with sophistication and soul.

With a legacy built on crafting chart-topping hits 🎶 and electrifying live shows 🎸, Vincent delivers an experience that’s luxurious, sensual, and timeless.

Beyond the music, Vincent brings his signature charisma to film and television, turning every role into a showcase of smooth confidence and artistry that leaves a lasting impression.

Murray Middleman

Murray “The Horn” Middleman

Grew up surrounded by music, cutting his teeth in his father’s Philadelphia dance band before he was ten.

A prodigy on clarinet and saxophone, he trained under jazz luminaries Jimmy Amadee and Vince Trombetta, and classical masters such as Donald Montanaro of the Philadelphia Orchestra.

By 14, he was leading his own jazz group and performing original compositions on PBS.
After graduating from the University of the Arts, Murray became a fixture in the Philadelphia scene, sharing stages with Bobby Durham and Dr. Shirley Scott.

An invitation from Count Basie trombonist Al Grey led to a performance with Buddy Rich at Storyville in New York—where Rich famously called him “a first-rate man.”
Relocating to Los Angeles in the 1980s, Murray’s virtuosity made him one of the city’s most in-demand saxophonists, performing with Frank Sinatra, Barbra Streisand, and Sammy Davis Jr.

In 1985, he founded Park Avenue West Entertainment, producing top-tier music for galas, concerts, and private events nationwide.

Today, Murray continues to champion the American Songbook, performing alongside distinguished artists like Milcho Leviev, Desi Arnaz Jr., and Jennifer Leitham, carrying forward a lifelong devotion to jazz artistry and timeless musical style.

Duane Laskey

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Will Miller

Will Miller left a prestigious position with The U.S. Army Jazz Ambassadors; escaping a physically and overly demanding tour of duty as a lead trumpet player.

He landed in Hollywood to pursue a much different career objective but stumbled a couple of months in with severe chop problems.

The rigorous touring schedules from his Army days had an adverse effect on his trumpet embouchure and finally caught up with him.

But despite the setbacks, Will Miller would somehow overcome adversity. He would never be in his top form again, but he consistently worked hard enough to secure space on the stage to perform with some of the greats such as Aretha Franklin, Lionel Ritchie, Barrie White, Natalie Cole, Quincy Jones, The Temptations, The O Jays, The Four Tops, Ray Charles, Billy Preston, The Brand New Heavies, Kool n The Gang, H.B. Barnum, Disney and a host of others.

Read the full bio at:https://www.wiltinmusic.com/

Ronald Dickson

 

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James Antunez

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The Tribe Story

Profile Tribe:

Let me take you back to 1974, a year that changed everything for me.

My name is Earl J. Foster Jr., and it all started with a phone call from Big Dee Ervin, a staff producer at ABC-Dunhill Records.

He invited me to come in and play and sing on a track that was actually the fade-out of a record he had produced. I remember thinking, “What’s the big deal about a fade-out?” But to my surprise, that fade was jammin’ harder than the actual song!
After I added my touch to the track, Dee, with his signature sense of humor, decided to name the record “Coke” and the artist “Tribe.”

How he came up with those names remains a mystery to me, but if you knew Dee, you’d understand that this was classic Dee—always full of surprises and laughter.
Since I performed all the lead vocals on the track, I became Tribe by default. Talk about being in the right place at the right time!

I made Dee promise me that if the record gained any traction, the recording contract would be mine.

He agreed, and at that time, I was still playing with my group, “The Fourth Parallel.”
About a month later, I got a call from Dee that left me in shock: the record had made the charts and was climbing fast!

Just a week after that, I received an invitation to ABC-Dunhill for a meeting with Otis Smith, the Vice-President of the R&B division.
Can you believe it?

Me, Earl J. Foster Jr., signed to a recording contract with ABC-Dunhill Records, all based on a song I recorded as a lark—the fade-out of a track whose original name I still don’t know!

With that, I promptly changed my band’s name from “The Fourth Parallel” to “Tribe,” and we hit the ground running, performing numerous concerts and TV shows, achieving considerable success along the way.

However, the journey wasn’t without its bumps. Due to the controversy surrounding the name “Coke,” the record was renamed “Smoke,” which rhymed with the original title.
While the record was riding high on the charts, the confusion from the name change ultimately hindered its success.
But that’s the music business for you—full of twists and turns. And through it all, Tribe emerged as a name that would leave its mark in the industry.
Despite the challenges we faced, Tribe continued to push forward, the name change may have caused some confusion, but it didn’t stop us from making music that resonated with our fans.

We poured our hearts into our next project, and it paid off. Our album, “Ethnic Stew,” was released and featured the hit single “Tribe,” which captured the essence of our sound and our journey.
As we gained momentum, we found ourselves charting in **Cashbox, Record World, Billboard**, and even making it onto the **Top Ten British Singles Chart**.

It was surreal to see our music reaching audiences far and wide.

We even had the number one record in Todendorf, Germany, and Washington, D.C.—how’s that for diversity?
Our travels took us across the United States, Europe, and the Far East, where we performed in front of enthusiastic crowds.

Each concert was a celebration of our music and the connection we had with our fans. However, as time went on, the group underwent a complete personnel change. But we didn’t let that deter us.
We recorded two more albums: “Tribal Bumpin’” for ABC-Dunhill Records and “Dedication” for an indie label called Farr Records.
Eventually, after years of making music and touring, Tribe disbanded. But the legacy we created lives on.
There are many groups out there calling themselves Tribe, but we were the original—the real McCoy.
Our story is one of serendipity, creativity, and the power of music to bring people together. And now, you know the journey of Tribe, a group that emerged from a simple fade-out to leave an indelible mark on the music scene of the 1970s.

As we step into 2025, I’m excited to share the rebirth of Tribe with our latest album, “Tribe IV Resurrection.” This new offering marks a significant chapter in our journey, and I’m proud to say that we’re now signed with Rising Sun Records, continuing our legacy that began with ABC-Dunhill Records and Farr Records.
Leading the charge is still me, Earl J. Foster Jr., and I’m thrilled to be at the helm of a band that has consistently pushed the boundaries of music over the years.
Building on the success of our previous albums—“Ethnic Stew,” “Tribal Bumpin’,” and “Dedication”—this new release promises to blend our signature funky sound with fresh, innovative twists that reflect the times we live in.
Tribe has always been more than just a band; we are a dynamic and diverse collective that embodies the spirit of unity and celebrates human culture through our eclectic sound. Our belief that music transcends boundaries drives us to integrate a wide spectrum of cultural influences, creating a truly unique musical experience.

In “Tribe IV Resurrection,” you’ll hear a harmonious blend of infectious Latin Pop rhythms, poignant hip-hop beats, and various global genres, all merging into a rich tapestry of resonant melodies and compelling narratives. What truly sets us apart is our composition: each member of Tribe represents a different racial or cultural background, making our internal diversity a living testament to our message.
This mosaic of identities enhances our music, bringing authentic perspectives and distinctive flavors from around the world.
Our songs often explore themes of cultural identity, acceptance, and the universal human experience. We aim to inspire and unify our audience, inviting them to reflect on the beauty of our differences. Through powerful lyrics, captivating performances, and an undeniable synergy, Tribe invites listeners on a musical voyage that celebrates diversity and the power of artistic expression.
This album isn’t just an auditory experience; it’s a movement.

We emphasize the beauty in our differences and the strength in our collective unity. Whether you’re drawn in by the rhythmic Latin beats, the soul-stirring hip-hop verses, or the melodic fusions of multiple genres, “Tribe IV Resurrection” ensures that there is something for everyone.
As we embark on this new chapter, I invite you to join us on this journey. Together, let’s celebrate the music that connects us all and the stories that make us who we are. Tribe is back, and we’re ready to make waves once again!

 

Tribe

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